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focus:100 | Composer 2.5 | Literary task

Metadata

  • Date: 2026-05-23
  • Tool: Cursor 3.5 (macOS app)
  • Model: Composer 2.5
  • MTP Skill version: 1.0.0
  • MTP Skill arguments: focus:100 (slider)

Input

Section titled “Input”

Prompt

/mtp focus:100 Tell the story of Alice’s Adventures in Wonderland by Lewis Carroll in a way that makes someone want to read it.

Output

Section titled “Output”

The text below is copied from the tool output using the “Copy” button.

**Read it for this:** a bored child follows her own curiosity into a world where politeness, size, and logic all break—and the book treats that breakdown as comedy, not horror.


**Alice** is sitting by a river when a White Rabbit in a waistcoat runs past, muttering about being late. She chases him down a rabbit-hole and falls slowly through cupboards, maps, and jars labeled “ORANGE MARMALADE.” She lands in a hall of locked doors, drinks from a bottle that shrinks her, eats cake that grows her, and cries a pool of tears big enough to swim in. A Mouse, a Dodo, and other creatures drift in; they try to dry off with a Caucus-race (everyone runs in a circle; everyone wins).


**The hook of the middle:** nothing stays the same size or the same rule. In the Rabbit’s house she grows again and is treated as an intruder. A Caterpillar on a mushroom asks “Who are you?” and tells her one side of the fungus makes her taller, the other shorter. At the Duchess’s house the cook throws dishes and the baby turns into a pig. The **Cheshire Cat** grins in the air and vanishes, leaving only the smile—then reappears to point Alice toward the March Hare’s tea.


**The Mad Tea-Party** is the book’s famous set piece: a Hatter, a March Hare, and a Dormouse stuck at six o’clock forever, offering riddles with no answers and insults as hospitality. Alice leaves for the Queen of Hearts’ croquet ground, where flamingos are mallets and hedgehogs are balls. The Queen shouts “Off with their heads!” at everything; nobody is actually executed—the threat is the joke.


**The trial** ties the plot together: the Knave of Hearts is accused of stealing tarts. Witnesses are nonsense (the Hatter, the Duchess, the Dormouse). Alice grows again in the courtroom; the Queen orders her out; Alice says they’re only a pack of cards. They rise and fly at her face—


—and she wakes on the riverbank, still a girl, with her sister beside her. The adventure was a dream; the book ends by asking whether Wonderland was “childish” or whether childhood itself holds that kind of wonder.


**Why it still pulls readers:** Carroll (Charles Lutwidge Dodgson) built each scene as a standalone comic episode—wordplay, parody of Victorian schooling and court ritual, creatures who argue in perfect grammar about meaningless things—so you can open anywhere and laugh. Alice stays polite and literal while the world is rude and absurd; that contrast is the engine. You do not need to decode every poem or political joke on first read; you need only follow a clear-headed girl who refuses to be bullied by nonsense, even when the nonsense wears a crown.


**One line to start:** *Alice’s Adventures in Wonderland* is a dream in which a child discovers that grown-up rules are often arbitrary—and that saying “you’re nothing but a pack of cards” can be the bravest sentence in the room.